I have extensive motivation for material exploration, assumably derrived from my farming upbringing where time was spent shuffling around looking for moments or parts to assemble as a means of passing time and making meaning. I have a deep relationship to the processes of nature, time and the weather. In my practice, I look to find materially appropriate ways of presenting images and translating story For me, a driving concern as an artist is community and access, particularly for and with people outside of metropolitan environments. I have a preference for analogue, and what’s outside. In my practice I seek to decentralise western, dualistic systems of living, thinking, being and creating.